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… Glyphs & Lithography-Glyphs of AXO…
… There is no Model for that which Search only it forever Considering… Paul Eluard | “… which Glyph ..........…………….............…. ……...…………....(.)). ((.).
With the Shade of the Sun…
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These Lithography-Glyphs
(Engraved Stones Sculpture Chisel)
summers found and collected in Languedoc-Roussillon have
and are gathered to tell a small part of the Stories, cryptic;
of
GAIA
the “mother” of Any Life on Earth…?…
Between Sky and Sea, Vine and Ground; the Stones have their Silences has to say.Nature and Chance do good housework in a disconcerting graphic expression,
realistic human figurations in
“Secret Notebooks of Nature”
The Human Being… an Extension of Nature… Resulting and Dependant.
Shade and Light… a Myth a Means a Tool.
Materiality with the Spirit
Where the Spirit and the Matter merge… which distances, steps, complicities
…?
=======
Whatever the Speculations over the Origins, means of Achievements, Intentions, Time… etc…
The Fact is there
the Secret Writing of Nature is readable and decipherable by the Human Being;
for one
Discovered Unknown
… … without a priori nor waitings…
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Anamorphoses and Fractales
Shades and Light
the Lithography-Glyphs of AXO Obey all the same Rules of Reading; Accurate and Effective.
The use of the graphic Shade as traced is extraordinary
likemulti-angles of Point-of-sights which recover elements of an Image (of a Point-of-sight); to use it in another Point-of-sight (angle) for a different Image as readable as the first.
And as in Space;
all the directions are (privileged people) usable.
I Insist on the Importance of the Axis (Angles) of the Point-of-Sight, and; light. |
Archeology = of the Greek “arkhaios”:Old and “Logos”:Science
Anamorphosis = of the Greek “ana”:Behind and “morphé”:Form
Image anamorphosis = can be well read only same point-of-sight as that which carried it out;
(only).Image fractale = a detail of an image Represents, another image;different.
Nature… Source of Inspiration
Assumption on the Prehistory of ART and the Men
Lithic times and previous to
Periods Hinges between Prémisces of the Artistic Intelligence and the First Tests of Achievements of Works (of Art (?)) ; Engraved; Sculpture; Painted.
# Assumption #
Certain Men (or Women) of Prehistory; thus close to Nature
(in Nature)
and having the Spirit (Mental Thought) more “Receptive” that other Men
(Shaman Wizard Artist or Other.?)
saw (read) Glyphs;and; without including/understanding the precise significance obligatorily
the EC what They perceived; Reap Déposit Stockpile have the Lithography-Glyphs
in Places (see In-Situ page) which could have a Symbolique value of Magic Libraries
or Places of Inspiration and Contact with
(them the) Creative one/Invisible Realizer (S)
of these Strange realization. For then testing of Addapter/Supporting
Glyphs-Images and To imitate what They saw under the Impulse/Inspired idea of one
Force Unknown;
generator of Lithiques Works; Preludes to other “simple” Achievements more;
and concrete.
and |
Some are Our Convictions,
it is a question See (with the Eyes); not To believe.
and the Interpretation of the Direction of the Images can be only Relatively mere.
When with the Significance of the Existence of the Lithography-Glyphs;
the Question is put…
. ? .
and it belongs has Each one to form an Opinion… |
mail… Stones of AXO
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00035918
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